ENGL 330 - American Modernism

1 unit(s)

American Modernism pivots between high culture (stylistically spare, muscular in attitude) and popular fiction (mawkish, sentimental) to understand the stakes in gendering literary modernism. In academia, Fitzgerald, Dos Passos, Faulkner, Eliot, Pound, and Hemingway anchor the male modernist masthead; screenwriters and novelists, Fanny Hurst, Olive Higgins Prouty, and Anita Loos, the popular canon. Yet, men penned ‘tearjerkers’, stories that lent themselves to filmic adaptation for a mass audience, while only women were disparaged as authors of melodramas and romance fiction. Examining the gendered meanings of nostalgia, consumption, celebrity, this course further challenges the notion of an exclusively male ‘avant-garde’ (a military term designating an advanced guard of culture) through an exploration of lesbian modernism: H.D., Gertrude Stein, Djuna Barnes.

This course satisfies the REGS requirement for the English major.

One 2-hour period.

Not offered in 2025/26.

Course Format: CLS