1 unit(s) This course examines the complications of authorship in film by analyzing various competing theoretical models. Then it tests these models against the work on an auteur. Students are expected to attend screenings, conduct independent research, and keep up with wide variety of historical and theoretical readings. Sarah Kozloff.
Prerequisite(s): FILM 210 and FILM 211.
Note that this class does not replace the major requirement of FILM 392.