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Music: II. Intermediate |
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MUSI 207 - Musicianship Skills II Semester Offered: Fall
0.5 unit(s)
A continuation of MUSI 206 adding chromatic melody and harmony with intermediate keyboard skills such as figured bass realization, improvised accompaniment, and score reading.
Prerequisite(s): MUSI 206 .
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MUSI 208 - Musicianship Skills III Semester Offered: Spring
0.5 unit(s)
A continuation of MUSI 207 , developing aural, keyboard, and clef-reading skills to a higher degree of proficiency. Eduardo Navega.
Prerequisite(s): MUSI 207 .
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MUSI 210 - Modal Counterpoint Semester Offered: Fall
1 unit(s)
A study, through analysis and written exercises, of contrapuntal techniques of the sixteenth century. Tahirih Motazedian.
Prerequisite(s): MUSI 105 /MUSI 106 or permission of the instructor.
Alternate years.
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MUSI 211 - Tonal Counterpoint
1 unit(s)
A study, through analysis and written exercises, of contrapuntal techniques of the eighteenth century. Táhirih Motazedian.
Prerequisite(s): MUSI 105 /MUSI 106 or permission of the instructor.
Alternate years. Not offered in 2017/18.
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MUSI 213 - American Music Semester Offered: Spring
1 unit(s)
The study of folk, popular, and art musics in American life from 1600 to the present and their relationship to other facets of America’s historical development and cultural growth. Brian Mann.
Prerequisite(s): one unit in one of the following: music; studies in American history, art, or literature; or permission of the instructor.
Alternate years.
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MUSI 214 - History of American Jazz
1 unit(s)
(Same as AMST 214 ) An investigation of the whole range of jazz history, from its beginning around the turn of the century to the present day. Among the figures to be examined are: Scott Joplin, “Jelly Roll” Morton, Louis Armstrong, Bessie Smith, Duke Ellington, Fletcher Henderson, Count Basie, Thomas “Fats” Waller, Charlie Parker, Dizzy Gillespie, Thelonious Monk, Charles Mingus, and Miles Davis. Brian Mann.
Prerequisite(s): one unit in one of the following: music, studies in American history, art, or literature; or permission of the instructor.
Alternate years. Not offered in 2017/18.
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MUSI 215 - Composition I Semester Offered: Fall
1 unit(s)
Creative work in various contemporary idioms. Analysis of selected works; study of instrumental resources. Susan Botti.
Prerequisite(s): MUSI 105 /MUSI 106 or permission of the instructor.
If a senior project in composition is planned, the student should elect Music 215/MUSI 216 in the sophomore year and MUSI 315 in the junior year.
Yearlong course 215/MUSI 216 .
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MUSI 216 - Composition II Semester Offered: Spring
1 unit(s)
Creative work in various contemporary idioms. Analysis of selected works; study of instrumental resources. Susan Botti.
Prerequisite(s): Permission of the instructor.
If a senior project in composition is planned, the student should elect MUSI 215 /216 in the sophomore year and MUSI 315 in the junior year.
Yearlong course MUSI 215 /216.
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MUSI 217 - Studies in Popular Music Semester Offered: Spring
1 unit(s)
(Same as AMST 217 and MEDS 217 )
Recommended: one unit in either Music, Sociology, or Anthropology.
Not offered in 2017/18.
Two 75-minute periods.
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MUSI 218 - Advanced Topics in World Music
1 unit(s)
Prerequisite(s): MUSI 136 , or permission of the instructor.
Two 75-minute periods.
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MUSI 219 - Electronic Music Semester Offered: Fall
1 unit(s)
A practical exploration of electronic music, composition, and production techniques. Compositional and creative aspects are emphasized with extensive lab time provided for student projects. No prior knowledge of computer music or programming is required. Drake Andersen.
Prerequisite(s): permission of the instructor.
Yearlong course 219/MUSI 220 .
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MUSI 220 - Electronic Music Semester Offered: Spring
1 unit(s)
A practical exploration of electronic music, composition, and production techniques. Compositional and creative aspects are emphasized with extensive lab time provided for student projects. No prior knowledge of computer music or programming is required. Drake Andersen.
Prerequisite(s): permission of the instructor.
Yearlong course MUSI 219 /220.
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MUSI 231 - Women Making Music Semester Offered: Spring
1 unit(s)
(Same as WMST 231 ) A study of women’s involvement in Western and non-Western musical cultures. Drawing on recent work in feminist musicology and ethnomusicology, the course studies a wide range of music created by women, both past and present. It explores such topics as musical instruments and gender, voice and embodiment, access to training and performance opportunities, and representations of women musicians in art and literature. Kathryn Libin.
Prerequisite(s): one unit in Music, or Women’s Studies, or permission of the instructor.
Not offered in 2017/18.
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MUSI 238 - Music in Film Semester Offered: Fall
1 unit(s)
(Same as FILM 238 ) A study of music in sound cinema from the 1920s to the present. The course focuses on the expressive, formal, and semiotic function that film music serves, either as sound experienced by the protagonists, or as another layer of commentary to be heard only by the viewer, or some mixture of the two. Composers studied include Max Steiner, Bernard Herrmann, Jerry Goldsmith, Danny Elfman, and others, as well as film scores that rely upon a range of musical styles, including classical, popular, and non-Western. Specific topics to be considered this semester include music in film noir and the movie musical. Brian Mann.
Prerequisite(s): one course in Music (not performance) or Film.
Two 75-minute periods plus outside screenings.
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MUSI 246 - Music and Ideas I — Medieval and Early Modern Europe: The Power of Church and Court Semester Offered: Fall
1 unit(s)
(Same as MRST 246 ) This course introduces major historical and intellectual ideas of music from the Ancient world through 1660. The focus is on essential repertoire as well as the cultures that fostered principal genres of sacred and secular music during the Middle Ages, Renaissance, and early Baroque. Brian Mann.
Prerequisite(s): MUSI 105 /MUSI 106 or permission of the instructor.
Includes an additional listening/discussion section.
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MUSI 247 - Music and Ideas II — Enlightenment and the Influence of Rationalism Semester Offered: Spring
1 unit(s)
A study of musical genres and trends over the course of the “long eighteenth century” from 1660 to 1830. The course explores significant shifts in musical language from the high Baroque through the age of revolution and early Romanticism, as revealed in great works from Purcell through Beethoven. Kathryn Libin.
Prerequisite(s): MUSI 105 /MUSI 106 or permission of the instructor.
Includes an additional listening/discussion section.
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MUSI 248 - Music and Ideas III — Modernism and its Challenges Semester Offered: Fall
1 unit(s)
This course begins with progressive composers Berlioz, Liszt, and Wagner and traces the development of their schools of thought through the late nineteenth century. The rising importance of popular song and jazz in the twentieth century along with major composers who have found new expression within classical traditions, and “postmoderns” who have worked to bridge genres. Michael Pisani.
Prerequisite(s): MUSI 105 /MUSI 106 and MUSI 247 , or permission of the instructor.
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MUSI 255 - The Vocal Art Song
0.5 unit(s)
A practical introduction and exploration of the world of the vocal art song, with emphasis on the collaborative nature of the singer/pianist duo. A survey of the repertoire will focus on performance, style, ensemble, diction and communication, covering some of the great songs of the various German, French, British, and American traditions. This course is intended to enhance performance skills and to provide a cultural and historical context for the music, while helping students develop skills in analysis and interpretation. Student presentations, classroom discussions, and exercises in critical listening will address issues of text setting, lyric diction, performance practice, and musical and dramatic interpretation. Miriam Charney.
Prerequisite(s): for both singers and pianists, two years of college-level study or permission of the instructor.
Not offered in 2017/18.
One 2-hour period.
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MUSI 259 - Soundscapes: Anthropology of Music Semester Offered: Spring
1 unit(s)
(Same as ANTH 259 ) This course examines the epistemology of the ear through experimental and ethnographic learning. It interrogates the wide range of sounds that we are exposed to: ambient sound, conversation, storytelling, music, and advertising, as well as historical hearing. It also is how we learn and perceive differnently through hearing and how sound affects our sense of place and being, and the types of knowledge we prioritize in our everyday lives. This course requires the use of basic audio and video technology. Justin Patch.
Recommended: but not required that students have one unit of the following: Music, Anthropology, Sociology, or Media Studies.
Two 75-minute periods.
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MUSI 280 - Love, Honor, and Divided Allegiances: A Literary and Musical Study of Three Famous 19th-Century Operas Semester Offered: Fall
0.5 unit(s)
This six-week course gives us the opportunity to listen to and study three 19th-century operas that deal with the problem of love, honor, and divided allegiances between the individual and the nation, or the individual and society. The three operas we study will be: Carmen (Bizet, in French), Aida (Verdi, in Italian), and Eugene Onegin (Tchaikovsky, in Russian). We study all the librettos in English translation. Michael Pisani.
Recommended: one course in Music or Drama.
Second six-week course.
Two 75-minute periods.
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MUSI 281 - Functions of Film Music Semester Offered: Fall
0.5 unit(s)
This course examines the functions of film music. We begin with musical style and then move on to examine how music contributes its function to each aspect of film: rhythmic pacing, action and dialogue underscoring, building suspense, shaping the dramatic sequence, and so forth. Michael Pisani.
Recommended: one course in either Film or Music.
First six-week course.
Two 75-minute periods.
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MUSI 290 - Field Work Semester Offered: Fall or Spring
0.5 to 1 unit(s)
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MUSI 298 - Independent Work Semester Offered: Fall or Spring
0.5 to 1 unit(s)
Special projects in theory, history, or performance that supplement the curriculum.
Open to qualified students with permission of department. Proposals for a project must first have the approval of a faculty advisor and then be submitted for departmental approval by the end of the previous semester.
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Music: III. Advanced |
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MUSI 302 - Senior Project Semester Offered: Fall or Spring
0.5 unit(s)
A paper, composition, or recital.
Proposals for a project must first have the approval of an appropriate faculty adviser and then be submitted for departmental approval by the end of the junior year.
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MUSI 316 - Composition IV
1 unit(s)
Further work in original composition; analysis of examples illustrating current practice.
Prerequisite(s): MUSI 105 /MUSI 106 and MUSI 215 /MUSI 216 or equivalent.
Permission of the instructor required; qualification to be determined by submission in advance of original work.
Yearlong course MUSI 315 /316.
Not offered in 2017/18.
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MUSI 320 - Advanced Studies in Musical Genres Semester Offered: Spring
1 unit(s)
Prerequisite(s): MUSI 105 /MUSI 106 and either MUSI 201 or MUSI 248 ; or permission of the instructor.
One 3-hour period.
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MUSI 321 - Composer in Focus
1 unit(s)
The most celebrated, commercially successful, and universally popular composer of the long eighteenth century was Joseph Haydn (1732-1809). A prolific and encyclopedic composer who cultivated every musical genre, Haydn also exemplified the extraordinary cultural shifts of his time, beginning as a humble employee under the old system of aristocratic patronage, and culminating as a free agent in the marketplace of musical ideas. In this course we will study Haydn’s life and music–including symphonies, oratorios–and examine the developments in style that emerged over the lenghty span of his career. Kathryn Libin.
Prerequisite(s): MUSI 105 -MUSI 106 and MUSI 246 -MUSI 247 , or permission of the instructor.
Not offered in 2017/18.
One three-hour period.
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MUSI 322 - Advanced Studies in Theory
1 unit(s)
Analysis of Modern and Contemporary Classical Music. Study of analytical approaches helpful in understanding and performing music of the 20th and 21st centuries. Topics include modal and post-tonal analysis, set theory and serialism, and innovative approaches to rhythm, meter, timbre, texture, and form. The course culminates in individual projects devoted to detailed study of a work of each student’s choosing. Students enhance their abilities to express their understanding of music through essays and presentations commenting on analytical insights and their implications for performance. Jonathan Chenette.
Prerequisite(s): MUSI 205 and MUSI 248 or permission of the instructor.
Not offered in 2017/18.
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MUSI 323 - Intersections in Music and Literature Semester Offered: Spring
1 unit(s)
(Same as ITAL 323 and MRST 323 ) Topic for 2017/18b: The Italian Madrigal, Music and Poetry in the Renaissance. This course examines the history of the sixteenth-and early seventeenth-century Italian madrigal and related secular forms, with close attention to the varieties of Italian poetry that composers set to music throughout the madrigal’s lengthy history. In particular, we consider the madrigalists’ responses to Petrarch’s Canzoniere, Tasso’s Gerusalemme liberata, and Guarini’s Il Pastor Fido. The course also examines the role of less exalted poetry (“poesia per musica”) in the genre’s history. Brian Mann.
Prerequisite(s): MUSI 105 /MUSI 106 ; MUSI 205 ; MUSI 246 /MUSI 247 , or permission of the instructor.
Two 75-minute periods.
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MUSI 399 - Senior Independent Work Semester Offered: Fall or Spring
0.5 to 1 unit(s)
Special projects in theory, history, or performance that supplement the curriculum.
Open to qualified students with permission of department. Proposals for a project must first have the approval of a faculty adviser and then be submitted for departmental approval by the end of the junior year.
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Music: Ensembles In the following six large ensembles (Wind Ensemble, Jazz Ensemble, Orchestra, Choir, Women’s Chorus, and Madrigal Singers) the first semester is an uncredited prerequisite for the second: credited study is offered only in the second semester. Students wishing to enroll for credit in the second semester must register for the uncredited prerequisite in the first semester. No student should exceed 2 units of this credit in his or her four years at Vassar. Membership is open to all classes and assumes a full year commitment. Admission is by audition. |
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MUSI 038, 138/039, 139 - Jazz Combo Semester Offered: Fall or Spring
0 or 0.5 unit(s)
The study and performance of jazz improvisation. James Osborn.
Two sections.
Open to qualified students with the permission of the instructor. Students may register for credit each semester, but no student may exceed 2 units of this credit in his or her four years at Vassar.
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MUSI 044, 144, 045, 145 - Chamber Music Semester Offered: Fall or Spring
0 or 0.5 unit(s)
The study and performance of selected works from the ensemble repertoire of instrumental or vocal mediums or their combinations. Eduardo Navega.
Open to qualified students with the permission of the instructor. Students may register for credit each semester, but no student may exceed 2 units of this credit in his or her four years at Vassar.
Unscheduled.
One 50-minute period.
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MUSI 048, 049, 149 - Wind Ensemble Semester Offered: Fall or Spring
0 or 0.5 unit(s)
The fifty-member ensemble of students and community players performs works of the wind and band repertoire. Open to all woodwind, brass, and percussion players. James Osborn.
Open to all students by audition.
One period per week plus sectional rehearsals.
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MUSI 050, 051, 151 - Jazz Ensemble Semester Offered: Fall or Spring
0 or 0.5 unit(s)
The jazz ensemble performs literature ranging from the Big Band Era to jazz-rock fusion. Improvisation and ensemble playing in a jazz style are featured. James Osborn.
Open to all students by audition.
One period per week.
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MUSI 052, 053, 153 - Orchestra Semester Offered: Fall or Spring
0 or 0.5 unit(s)
The 60-member orchestra performs masterworks of the symphonic literature. Eduardo Navega.
Open to all students by audition.
Two periods per week.
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MUSI 054, 055, 155 - Women’s Chorus Semester Offered: Fall or Spring
0 or 0.5 unit(s)
The Women’s Chorus is an ensemble of 30-50 women that studies and performs repertoire from the medieval period to the present. The choir performs on campus and occasionally makes concert tours. Christine Howlett.
Open to all students by audition.
Three periods per week.
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MUSI 056, 057, 157 - Choir Semester Offered: Fall or Spring
0 or 0.5 unit(s)
The choir is a mixed ensemble of between 40 and 60 voices that studies and performs choral/orchestral and a cappella literature for a larger chorus from the Renaissance through the present. The choir performs on campus and occasionally makes concert tours. Christine Howlett.
Open to all students by audition.
Three periods per week.
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MUSI 058, 059, 159 - Chamber Singers Semester Offered: Fall or Spring
0 or 0.5 unit(s)
The Chambers Singers is a select mixed ensemble of between 10 and 20 voices that studies and performs literature for solo and chamber vocal ensemble. Ron Bemrich.
Two 90-minute periods.
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MUSI 254 - Opera Workshop Semester Offered: Spring
0.5 unit(s)
The study and performance of selected operatic repertoire. Open to qualified students by audition. Miriam Charney, Drew Minter.
No student may exceed 2 units of this credit in his or her four years at Vassar.
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Music: Individual Instruction The music department offers private lessons in most instruments and voice. Enrollment is limited in certain areas of instruction, especially voice. Music majors and students taking lessons for credit will be given preference. Beginners are accepted as instructors’ teaching hours allow.
Some lessons - such as piano, violin, viola, and voice - require auditions at the beginning of the year. Audition sign-up sheets are posted on the bulletin board outside Skinner Room 105 the week before classes begin.
Accepted students arrange for private lessons with the instructor and include one 50-minute period per week for a total of thirteen lessons per semester. Lessons require an additional fee per semester (see Fees ) although students on need-based Vassar scholarship qualify for a fee waiver.
Lessons are taught at various levels and the lesson numbers - for example, 137, 237, 337 - reflect the level of study. Lessons may also be taken for non-credit, and these registration numbers begin with zero, as in 037. All students taking lessons, whether or not for credit, must register for them. (See the individual course numbers for your instrument below.)
Course Requirements for Lessons: All students who take lessons for credit (see Individual Instruction below) are required to take two music courses, preferably before their senior year. The department strongly believes that music performance in a liberal arts environment should be studied in the context of some knowledge of music history or theory. Therefore, co-requisite courses in music should begin as early as possible, but no later than the third semester of credited study. Freshman and first-semester sophomores are especially encouraged to take MUSI 101 , 105 , 140 , or 141 . Among the other courses that may count toward the co-requisite are: MUSI 106 , 136 , 201 , 202 , 213 , 214 , 215 , 217 , 218 , 231 , 238 , and 259 .
Voice (MUSI 063 , 163 , 263 , 363 , 380 ): Christine Howlett, Drew Minter, Mary Nessinger, Robert Osborne, Rachel Rosales, James Ruff.
Piano (MUSI 060 , 160 , 260 , 360 , 380 ): Miriam Charney, Todd Crow, Anna Polonsky, Thomas Sauer.
Classical Guitar (MUSI 068 , 168 , 268 , 368 , 380 ): Terry Champlin.
Flute (MUSI 070 , 170 , 270 , 370 , 380 ): Susan Rotholz.
Oboe (MUSI 071 , 171 , 271 , 371 , 380 ): Cheryl Bishkoff.
Clarinet (MUSI 072 , 172 , 272 , 372 , 380 ): Moran Katz.
Bassoon (MUSI 073 , 173 , 273 , 373 , 380 ): Elisabeth Romano.
Saxophone (MUSI 043 , 143 , 243 , 343 , 380 ): Ed Xiques.
French Horn (MUSI 074 , 174 , 274 , 374 , 380 ): Peter Reit.
Trumpet (MUSI 075 , 175 , 275 , 375 , 380 ): James Osborn.
Trombone (MUSI 076 , 176 , 276 , 376 , 380 ): Paul Bellino.
Tuba (MUSI 077 , 177 , 277 , 377 , 380 ): Paul Bellino.
Harp (MUSI 069 , 169 , 269 , 369 , 380 ): Ashley Jackson.
Organ (MUSI 061 , 161 , 261 , 361 , 380 ): Gail Archer.
Harpsichord (MUSI 062 , 162 , 262 , 362 , 380 ): Gail Archer.
Jazz Guitar (MUSI 034 , 134 , 234 , 334 , 380 ): Mike DeMicco.
Jazz Piano (MUSI 042 , 142 , 242 , 342 , 380 ): Peter Tomlinson.
Percussion (MUSI 078 , 178 , 278 , 378 , 380 ): Mr. Cassara, Mr. Files.
Violin (MUSI 064 , 164 , 264 , 364 , 380 ): Stephanie Chase, Linda Quan, Marka Young.
Viola (MUSI 065 , 165 , 265 , 365 , 380 ): Marka Gustavsson.
Violoncello (MUSI 066 , 166 , 266 , 366 , 380 ): Sophie Shao.
Double Bass (MUSI 067 , 167 , 267 , 367 , 380 ): Louis Pappas.
Other Instruments (MUSI 037 , 137 , 237 , 337 , 380 )
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MUSI 380 - 4th Year Instruction Semester Offered: Fall and Spring
0.5 unit(s)
After six full semesters of study in any instrument, all students, no matter which instrument, register for Music 380. Two semesters of study at the 380 level counts as one full credit of senior-level work.
Unscheduled.
One 50-minute period.
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Music: Itemized List |
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MUSI 034 - Jazz Guitar Semester Offered: Fall and Spring
0 unit(s)
Uncredited lessons. Mike DeMicco.
Open to all classes by audition.
Unscheduled.
One 50-minute period.
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MUSI 037 - Other Instruments Semester Offered: Fall and Spring
0 unit(s)
Uncredited lessons.
Open to all classes by audition.
Unscheduled.
One 50-minute period.
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MUSI 042 - Jazz Piano Semester Offered: Fall and Spring
0 unit(s)
Uncredited lessons. Peter Tomlinson.
Open to all classes by audition.
Unscheduled.
One 50-minute period.
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MUSI 043 - Saxophone Semester Offered: Fall and Spring
0 unit(s)
Uncredited lessons. Ed Xiques.
Open to all classes by audition.
Unscheduled.
One 50-minute period.
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MUSI 060 - Piano Semester Offered: Fall and Spring
0 unit(s)
Uncredited lessons. Miriam Charney, Todd Crow, Anna Polonsky, Thomas Sauer.
Open to all classes by audition.
Unscheduled.
One 50-minute period.
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MUSI 061 - Organ Semester Offered: Fall and Spring
0 unit(s)
Uncredited lessons. Gail Archer.
Open to all classes by audition.
Unscheduled.
One 50-minute period.
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MUSI 062 - Harpsichord Semester Offered: Fall and Spring
0 unit(s)
Uncredited lessons. Gail Archer.
Open to all classes by audition.
Unscheduled.
One 50-minute period.
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MUSI 063 - Voice Semester Offered: Fall and Spring
0 unit(s)
Uncredited lessons. Drew Minter, Mary Nessinger, Robert Osborne, Rachel Rosales, James Ruff.
Open to all classes by audition.
Unscheduled.
One 50-minute period.
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MUSI 064 - Violin Semester Offered: Fall and Spring
0 unit(s)
Uncredited lessons. Stephanie Chase, Linda Quan, Marka Young.
Open to all classes by audition.
Unscheduled.
One 50-minute period.
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MUSI 065 - Viola Semester Offered: Fall and Spring
0 unit(s)
Uncredited lessons. Danielle Farina.
Open to all classes by audition.
Unscheduled.
One 50-minute period.
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MUSI 066 - Violoncello Semester Offered: Fall and Spring
0 unit(s)
Uncredited lessons. Sophie Shao.
Open to all classes by audition.
Unscheduled.
One 50-minute period.
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MUSI 067 - Double Bass Semester Offered: Fall and Spring
0 unit(s)
Uncredited lessons. Instructor to be announced.
Open to all classes by audition.
Unscheduled.
One 50-minute period.
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MUSI 068 - Classical Guitar Semester Offered: Fall and Spring
0 unit(s)
Uncredited lessons. Terry Champlin.
Open to all classes by audition.
Unscheduled.
One 50-minute period.
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MUSI 069 - Harp Semester Offered: Fall and Spring
0 unit(s)
Uncredited lessons. Ashley Jackson.
Open to all classes by audition.
Unscheduled.
One 50-minute period.
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MUSI 070 - Flute Semester Offered: Fall and Spring
0 unit(s)
Uncredited lessons. Susan Rotholz.
Open to all classes by audition.
Unscheduled.
One 50-minute period.
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MUSI 071 - Oboe Semester Offered: Fall and Spring
0 unit(s)
Uncredited lessons. Cheryl Bishkoff.
Open to all classes by audition.
Unscheduled.
One 50-minute period.
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MUSI 072 - Clarinet Semester Offered: Fall and Spring
0 unit(s)
Uncredited lessons. Moran Katz.
Open to all classes by audition.
Unscheduled.
One 50-minute period.
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MUSI 073 - Bassoon Semester Offered: Fall and Spring
0 unit(s)
Uncredited lessons. Elisabeth Romano.
Open to all classes by audition.
Unscheduled.
One 50-minute period.
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MUSI 074 - French Horn Semester Offered: Fall and Spring
0 unit(s)
Uncredited lessons. Peter Reit.
Open to all classes by audition.
Unscheduled.
One 50-minute period.
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MUSI 075 - Trumpet Semester Offered: Fall and Spring
0 unit(s)
Uncredited lessons. James Osborn.
Open to all classes by audition.
Unscheduled.
One 50-minute period.
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MUSI 076 - Trombone Semester Offered: Fall and Spring
0 unit(s)
Uncredited lessons. Paul Bellino.
Open to all classes by audition.
Unscheduled.
One 50-minute period.
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MUSI 077 - Tuba Semester Offered: Fall and Spring
0 unit(s)
Uncredited lessons. Paul Bellino.
Open to all classes by audition.
Unscheduled.
One 50-minute period.
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MUSI 078 - Percussion Semester Offered: Fall and Spring
0 unit(s)
Uncredited lessons. Frank Cassara, Trey Files.
Open to all classes by audition.
Unscheduled.
One 50-minute period.
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MUSI 134 - Jazz Guitar Semester Offered: Fall and Spring
0.5 unit(s)
Mike DeMicco.
Corequisite: a course in music theory or history should be taken during the first year of credited lessons. MUSI 101 , MUSI 105 , MUSI 140 , or MUSI 141 are strongly recommended.
Open to all students who have passed the audition or upon recommendation of the instructor.
Unscheduled.
One 50-minute period.
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MUSI 137 - Other Instruments Semester Offered: Fall and Spring
0.5 unit(s)
Corequisite: a course in music theory or history should be taken during the first year of credited lessons. MUSI 101 , MUSI 105 , MUSI 140 , or MUSI 141 are strongly recommended.
Open to all students who have passed the audition or upon recommendation of the instructor.
Unscheduled.
One 50-minute period.
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MUSI 142 - Jazz Piano Semester Offered: Fall and Spring
0.5 unit(s)
Peter Tomlinson.
Corequisite: a course in music theory or history should be taken during the first year of credited lessons. MUSI 101 , MUSI 105 , MUSI 140 , or MUSI 141 are strongly recommended.
Open to all students who have passed the audition or upon recommendation of the instructor.
Unscheduled.
One 50-minute period.
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MUSI 143 - Saxophone Semester Offered: Fall and Spring
0.5 unit(s)
Ed Xiques.
Corequisite: a course in music theory or history should be taken during the first year of credited lessons. MUSI 101 , MUSI 105 , MUSI 140 , or MUSI 141 are strongly recommended.
Open to all students who have passed the audition or upon recommendation of the instructor.
Unscheduled.
One 50-minute period.
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MUSI 160 - Piano Semester Offered: Fall and Spring
0.5 unit(s)
Miriam Charney, Todd Crow, Anna Polonsky, Thomas Sauer.
Corequisite: a course in music theory or history should be taken during the first year of credited lessons. MUSI 101 , MUSI 105 , MUSI 140 , or MUSI 141 are strongly recommended.
Open to all students who have passed the audition or upon recommendation of the instructor.
Unscheduled.
One 50-minute period.
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MUSI 161 - Organ Semester Offered: Fall and Spring
0.5 unit(s)
Gail Archer.
Corequisite: a course in music theory or history should be taken during the first year of credited lessons. MUSI 101 , MUSI 105 , MUSI 140 , or MUSI 141 are strongly recommended.
Open to all students who have passed the audition or upon recommendation of the instructor.
Unscheduled.
One 50-minute period.
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MUSI 162 - Harpsichord Semester Offered: Fall and Spring
0.5 unit(s)
Gail Archer.
Corequisite: a course in music theory or history should be taken during the first year of credited lessons. MUSI 101 , MUSI 105 , MUSI 140 , or MUSI 141 are strongly recommended.
Open to all students who have passed the audition or upon recommendation of the instructor.
Unscheduled.
One 50-minute period.
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MUSI 163 - Voice Semester Offered: Fall and Spring
0.5 unit(s)
Drew Minter, Mary Nessinger, Robert Osborne, Rachel Rosales, James Ruff.
Corequisite: a course in music theory or history should be taken during the first year of credited lessons. MUSI 101 , MUSI 105 , MUSI 140 , or MUSI 141 are strongly recommended.
Open to all students who have passed the audition or upon recommendation of the instructor.
Unscheduled.
One 50-minute period.
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MUSI 164 - Violin Semester Offered: Fall and Spring
0.5 unit(s)
Stephanie Chase, Linda Quan, Marka Young.
Corequisite: a course in music theory or history should be taken during the first year of credited lessons. MUSI 101 , MUSI 105 , MUSI 140 , or MUSI 141 are strongly recommended.
Open to all students who have passed the audition or upon recommendation of the instructor.
Unscheduled.
One 50-minute period.
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MUSI 165 - Viola Semester Offered: Fall and Spring
0.5 unit(s)
Marka Gustavsson.
Corequisite: a course in music theory or history should be taken during the first year of credited lessons. MUSI 101 , MUSI 105 , MUSI 140 , or MUSI 141 are strongly recommended.
Open to all students who have passed the audition or upon recommendation of the instructor.
Unscheduled.
One 50-minute period.
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MUSI 166 - Violoncello Semester Offered: Fall and Spring
0.5 unit(s)
Sophie Shao.
Corequisite: a course in music theory or history should be taken during the first year of credited lessons. MUSI 101 , MUSI 105 , MUSI 140 , or MUSI 141 are strongly recommended.
Open to all students who have passed the audition or upon recommendation of the instructor.
Unscheduled.
One 50-minute period.
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MUSI 167 - Double Bass Semester Offered: Fall and Spring
0.5 unit(s)
Instructor to be announced.
Corequisite: a course in music theory or history should be taken during the first year of credited lessons. MUSI 101 , MUSI 105 , MUSI 140 , or MUSI 141 are strongly recommended.
Open to all students who have passed the audition or upon recommendation of the instructor.
Unscheduled.
One 50-minute period.
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MUSI 168 - Classical Guitar Semester Offered: Fall and Spring
0.5 unit(s)
Terry Champlin.
Corequisite: a course in music theory or history should be taken during the first year of credited lessons. MUSI 101 , MUSI 105 , MUSI 140 , or MUSI 141 are strongly recommended.
Open to all students who have passed the audition or upon recommendation of the instructor.
Unscheduled.
One 50-minute period.
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MUSI 169 - Harp Semester Offered: Fall and Spring
0.5 unit(s)
Ashley Jackson.
Corequisite: a course in music theory or history should be taken during the first year of credited lessons. MUSI 101 , MUSI 105 , MUSI 140 , or MUSI 141 are strongly recommended.
Open to all students who have passed the audition or upon recommendation of the instructor.
Unscheduled.
One 50-minute period.
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MUSI 170 - Flute Semester Offered: Fall and Spring
0.5 unit(s)
Susan Rotholz.
Corequisite: a course in music theory or history should be taken during the first year of credited lessons. MUSI 101 , MUSI 105 , MUSI 140 , or MUSI 141 are strongly recommended.
Open to all students who have passed the audition or upon recommendation of the instructor.
Unscheduled.
One 50-minute period.
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MUSI 171 - Oboe Semester Offered: Fall and Spring
0.5 unit(s)
Cheryl Bishkoff.
Corequisite: a course in music theory or history should be taken during the first year of credited lessons. MUSI 101 , MUSI 105 , MUSI 140 , or MUSI 141 are strongly recommended.
Open to all students who have passed the audition or upon recommendation of the instructor.
Unscheduled.
One 50-minute period.
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MUSI 172 - Clarinet Semester Offered: Fall and Spring
0.5 unit(s)
Moran Katz.
Corequisite: a course in music theory or history should be taken during the first year of credited lessons. MUSI 101 , MUSI 105 , MUSI 140 , or MUSI 141 are strongly recommended.
Open to all students who have passed the audition or upon recommendation of the instructor.
Unscheduled.
One 50-minute period.
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MUSI 173 - Bassoon Semester Offered: Fall and Spring
0.5 unit(s)
Elisabeth Romano.
Corequisite: a course in music theory or history should be taken during the first year of credited lessons. MUSI 101 , MUSI 105 , MUSI 140 , or MUSI 141 are strongly recommended.
Open to all students who have passed the audition or upon recommendation of the instructor.
Unscheduled.
One 50-minute period.
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MUSI 174 - French Horn Semester Offered: Fall and Spring
0.5 unit(s)
Peter Reit.
Corequisite: a course in music theory or history should be taken during the first year of credited lessons. MUSI 101 , MUSI 105 , MUSI 140 , or MUSI 141 are strongly recommended.
Open to all students who have passed the audition or upon recommendation of the instructor.
Unscheduled.
One 50-minute period.
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MUSI 175 - Trumpet Semester Offered: Fall and Spring
0.5 unit(s)
James Osborn.
Corequisite: a course in music theory or history should be taken during the first year of credited lessons. MUSI 101 , MUSI 105 , MUSI 140 , or MUSI 141 are strongly recommended.
Open to all students who have passed the audition or upon recommendation of the instructor.
Unscheduled.
One 50-minute period.
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MUSI 176 - Trombone Semester Offered: Fall and Spring
0.5 unit(s)
Paul Bellino.
Corequisite: a course in music theory or history should be taken during the first year of credited lessons. MUSI 101 , MUSI 105 , MUSI 140 , or MUSI 141 are strongly recommended.
Open to all students who have passed the audition or upon recommendation of the instructor.
Unscheduled.
One 50-minute period.
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MUSI 177 - Tuba Semester Offered: Fall and Spring
0.5 unit(s)
Paul Bellino.
Corequisite: a course in music theory or history should be taken during the first year of credited lessons. MUSI 101 , MUSI 105 , MUSI 140 , or MUSI 141 are strongly recommended.
Open to all students who have passed the audition or upon recommendation of the instructor.
Unscheduled.
One 50-minute period.
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MUSI 178 - Percussion Semester Offered: Fall and Spring
0.5 unit(s)
Frank Cassara, Trey Files.
Corequisite: a course in music theory or history should be taken during the first year of credited lessons. MUSI 101 , MUSI 105 , MUSI 140 , or MUSI 141 are strongly recommended.
Open to all students who have passed the audition or upon recommendation of the instructor.
Unscheduled.
One 50-minute period.
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MUSI 179 - Electric Bass Semester Offered: Spring
0.5 unit(s)
Open to all students who have passed the audition or upon recommendation of the instructor.
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MUSI 234 - Jazz Guitar Semester Offered: Fall and Spring
0.5 unit(s)
Mike DeMicco.
Prerequisite(s): two semesters of credited study in this instrument. Corequisite: a course in music theory or history is required unless two such courses have previously been completed.
Unscheduled.
One 50-minute period.
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MUSI 237 - Other Instruments Semester Offered: Fall and Spring
0.5 unit(s)
Corequisite: a course in music theory or history should be taken during the first year of credited lessons. MUSI 101 , MUSI 105 , MUSI 140 , or MUSI 141 are strongly recommended.
Open to all students who have passed the audition or upon recommendation of the instructor.
Unscheduled.
One 50-minute period.
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MUSI 242 - Jazz Piano Semester Offered: Fall and Spring
0.5 unit(s)
Peter Tomlinson.
Prerequisite(s): two semesters of credited study in this instrument. Corequisite: a course in music theory or history is required unless two such courses have previously been completed.
Unscheduled.
One 50-minute period.
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MUSI 243 - Saxophone Semester Offered: Fall and Spring
0.5 unit(s)
Ed Xiques.
Prerequisite(s): two semesters of credited study in this instrument. Corequisite: a course in music theory or history is required unless two such courses have previously been completed.
Unscheduled.
One 50-minute period.
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MUSI 260 - Piano Semester Offered: Fall and Spring
0.5 unit(s)
Miriam Charney, Todd Crow, Anna Polonsky, Thomas Sauer.
Prerequisite(s): two semesters of credited study in this instrument. Corequisite: a course in music theory or history is required unless two such courses have previously been completed.
Unscheduled.
One 50-minute period.
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MUSI 261 - Organ Semester Offered: Fall and Spring
0.5 unit(s)
Gail Archer.
Prerequisite(s): two semesters of credited study in this instrument. Corequisite: a course in music theory or history is required unless two such courses have previously been completed.
Unscheduled.
One 50-minute period.
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MUSI 262 - Harpsichord Semester Offered: Fall and Spring
0.5 unit(s)
Gail Archer.
Prerequisite(s): two semesters of credited study in this instrument. Corequisite: a course in music theory or history is required unless two such courses have previously been completed.
Unscheduled.
One 50-minute period.
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MUSI 263 - Voice Semester Offered: Fall and Spring
0.5 unit(s)
Drew Minter, Mary Nessinger, Robert Osborne, Rachel Rosales, James Ruff.
Prerequisite(s): two semesters of credited study in this instrument. Corequisite: a course in music theory or history is required unless two such courses have previously been completed.
Unscheduled.
One 50-minute period.
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MUSI 264 - Violin Semester Offered: Fall and Spring
0.5 unit(s)
Stephanie Chase, Linda Quan, Marka Young.
Prerequisite(s): two semesters of credited study in this instrument. Corequisite: a course in music theory or history is required unless two such courses have previously been completed.
Unscheduled.
One 50-minute period.
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MUSI 265 - Viola Semester Offered: Fall and Spring
0.5 unit(s)
Marka Gustavsson.
Prerequisite(s): two semesters of credited study in this instrument. Corequisite: a course in music theory or history is required unless two such courses have previously been completed.
Unscheduled.
One 50-minute period.
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MUSI 266 - Violoncello Semester Offered: Fall and Spring
0.5 unit(s)
Sophie Shao.
Prerequisite(s): two semesters of credited study in this instrument. Corequisite: a course in music theory or history is required unless two such courses have previously been completed.
Unscheduled.
One 50-minute period.
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MUSI 267 - Double Bass Semester Offered: Fall and Spring
0.5 unit(s)
Louis Pappas.
Prerequisite(s): two semesters of credited study in this instrument. Corequisite: a course in music theory or history is required unless two such courses have previously been completed.
Unscheduled.
One 50-minute period.
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